Render of the final model, rendered in Marmoset Toolbag.

Early stage blockout of the body in ZBrush.

Blockout of the clothes made in Marvelous Designer, then taken into Maya to make them symmetrical and easier to work with.

Final ZBrush stage of the character, here I've refined the clothing to be more stylized with a much more distinct silhouette as well as fully sculpting out the hair to better fit the slight anime style influence I was going for.

The final high poly model was completed in Maya, which I used to model the hard surface assets of the staff, necklace, and boots using sub-D modeling methods.

Low poly retopology of the model done in Maya, final tri count of 35,646.

Most of the character and the staff utilize a single 2k UV map, with the eyes utilizing a separate 512x512 map.

Final texture baking and material creation was done in Substance Painter, with the final material using diffuse, normal, metalness, roughness, ambient occlusion, and subsurface scattering maps.